My journey with photography began in childhood. I used to borrow my father’s camera whenever we traveled, curious to capture the world around me, and at the age of eight my mother gave me my first camera. From early on, I was fascinated by animals, especially birds, and dedicated myself to learning their behavior and patiently finding the right way to portray them. This practice soon became more than a personal passion: it opened the door to my involvement in conservation projects, where photography became a way of creating awareness and protecting what I was documenting.

Alongside photography, I studied Biomedicine and later completed a PhD in Neuroscience. My scientific background shaped the way I approach my work: through patient observation, curiosity, and a drive to explore complex systems. This perspective eventually led me to combine wildlife photography with experimental processes, searching for methods that could better reflect the cycles of nature. Cyanotype became central to my practice because it relies on sunlight and can be toned with natural pigments, making the development of the image a collaboration with the environment itself. More recently, I completed two residencies at Annette Golaz’s studio in Zurich, where I studied the tricolor cyanotype technique. This process uses layers of natural-based staining using flower roots to create variations of color obtaining a final RGB photograph. This approach deepened my understanding of how alternative photography can bring new ways of seeing and experiencing wildlife.

Today, I am proud to share this approach internationally as one of the artists of the Experimental Photo Festival and Agora, School of Experimentation, where my online workshop is part of their annual Diploma program. My practice continues to evolve at the intersection of art, science, and conservation, always with the goal of inspiring care and respect for wildlife.

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